Night Burial (Colorado Prize for Poetry) (Paperback)
In Night Burial, Kate Bolton Bonnici mourns her mother’s death from ovarian cancer by tracing the composition, decomposition, and recomposition of the maternal body. Opening with an epigraph from Julia Kristeva’s Stabat Mater, which recognizes the “abyss that opens up between the body and what had been its inside,” Night Burial moves from breastfeeding to laying sod on a grave, weaving together Alabama pine forests, fairy tales, philosophy, classical and Renaissance literatures, church practices, and hospice care. Through centuries-old and newly imagined poetic forms, Night Burial crafts a haunting litany for the dead. These poems ask the essential questions of grief, intertwined with family and place: how do we address the absent beloved and might the poem become its own conjuring whereby the I can once again speak to the you?
About the Author
Kate Bolton Bonnici grew up in rural Alabama and is a graduate of Harvard University (BA); New York University School of Law (JD); the University of California, Riverside (MFA); and the University of California, Los Angeles (PhD). Her work has appeared or is forthcoming in Arts & Letters, Southern Humanities Review, Image, Tupelo Quarterly, and elsewhere. She was a finalist for The Georgia Poetry Prize and The Fairy Tale Review’s Poetry Prize, as well as a semi-finalist for the Word Works’ Washington Prize, the Crab Orchard Series Poetry Open competition, the Gold Wake Press Open competition, the Zone 3 Press First Book Award for Poetry, and the Brittingham Prize. She lives in Los Angeles with her husband and daughters and teaches early modern English literature and creative writing at UCLA.
“Such gratitude for the chance to observe what Kate Bolton Bonnici calls ‘witchspeak,’ wherein she tells us, ‘I deliver a child daily into want.’ Such gratitude to read the lyrics of ‘old stories’ that ‘say burn the skin / of what you’ve become.’ Such gratitude to stand with these poems between Euripides and Homeric hymns and The Midwives Book of 1671, between silence and that space wherein ‘between us every word / is dirt swaddled.’ Every elegy a bloodline and, the poet says, ‘daughter, I lie with you on the crackling chuck pad, burning where your body / opened mine to be born.’ Every elegy is ‘an ancient loop—someone / looking means someone’s gone. / Something unequal / makes its way forward.’ Bonnici's beautiful and moving Night Burial is a daybook for daughters, an elegy for mothers, a lyric work where ‘my mother remembers the echo / from her mother's heels on the hall.’”
—Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa
"There is such an ease, a clear precision to her poems, composing a lyric of direct statements packed with nuance and density."
—Rob McClennan's Blog